|aThe merchant of Venice /|cWilliam Shakespeare ; general editor R. B. Kennedy ; additional notes and editing Mike Gould.
|aHarper Press paperback ed.
|aLondon :|bHarper Press,|c2013.
|axx, 130 p. :|bill. ;|c18 cm.
|aBassiano, a Venetian nobleman, hopes to woo the beautiful heiress Portia. To do so, his friend Antonio must help him to secure a loan, borrowing from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the loans forfeit must be one pound of Antonio's flesh -a revenge he hopes to exact when disaster strikes. In the fierce battleground of the courtroom, Portia proves herself one of Shakespeare's most cunning heroines, her intellect as a lawyer weighed against Shylocks plea for tolerance. Viewed contradictorily as anti-Semitic and powerfully liberal for its time, The Merchant of Venice is at its core a bittersweet drama, exploring the noble themes of prejudice, justice and humanity.
|aShakespeare, William,|d1564-1616.|tMerchant of Venice.
′The quality of mercy is not strain′d,It droppeth as the gentle rain from heaven′Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from his friend Antonio. Antonio agrees, but he, in turn, must borrow from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the forfeit on the loan must be a pound of Antonio′s flesh. In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare′s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock′s claims; meanwhile, Shylock triumphs on a humanitarian level with his plea for tolerance: ′Hath not a Jew eyes?′Viewed paradoxically as anti-Semitic, while at the same time powerfully liberal for its time, The Merchant of Venice is at its core a bittersweet drama, exploring the noble themes of prejudice, justice and honour.