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My first soccer game : a book with foldout pages

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Playful text and striking photographs help young readers prepare for their very first soccer game! This 9 x 9 paper-over-board book features bright photos and whimsical drawn images set against reassuring, instructional text. Cardstock pages include large fold-out panels which feature detailed step-by-step soccer moves and instructions. Each cardstock page folds out into a large 18 X 18 inch page filled with helpful info to prepare little soccer players for that exciting first game. Thanks to this delightfully interactive book, aspiring soccer stars can practice wherever they go!

Playful text and striking photographs help young readers prepare for their very first soccer game! This 9 x 9 paper-over-board book features bright photos and whimsical drawn images set against reassuring, instructional text. Cardstock pages include large fold-out panels which feature detailed step-by-step soccer moves and instructions. Each cardstock page folds out into a large 18 X 18 inch page filled with helpful info to prepare little soccer players for that exciting first game. Thanks to this delightfully interactive book, aspiring soccer stars can practice wherever they go! Alyssa Satin Capucilli is the award-winning creator and author of the Katy Duck series and the bestselling Biscuit series, which has sold over twenty-four?million copies. A dancer as well as a writer, she lives with her family in Hastings-on-Hudson, New York.Leyah Jensen?studied photography at the Rhode Island School of Design, but her journey in photography began much earlier. As a toddler of a professional photographer, she was often staged in tutus or with a finger in the nose. Growing older, she helped lug equipment to places like Tijuana, where her father was basing a children’s book. Then in her teens she completed several photojournalism assignments abroad of her own, through children’s organizations such as Compassion and other orphan relief agencies. Her own experiences as a child model have taught her that you can’t capture the magic of childhood unless the subjects are free to truly be themselves.

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